Curriculum
| Course Number | Summary | English |
|---|---|---|
| FT7102 | Comparative research of 'Author and Master' | |
| With comparative analysis on the works of ingenious film writers and directors of genre movie, this course guides students to the big stream of world film industry, and leads students who are to reestablish his or her own creative ordinates. | ||
| FT7103 | A study of Contemporary Film | |
| Centered to the 1960’s Nouvelle Vague movies: differences between classical films and modern films, about its changing process, and concepts or tendencies of Modern Films will be studied. | ||
| FT7103 | A study of Contemporary Film | |
| Depending on the individual student’s detailed major and independent research topic, it is conducted under the customized guidance of an advisor, and research related to thesis, creation, and production is conducted. Students prepare and present results leading to research proposals, research progress, and research reports. | ||
| FT7106 | Independent Project 1 | |
| Depending on the individual student’s detailed major and independent research topic, it is conducted under the customized guidance of an advisor, and research related to thesis, creation, and production is conducted. Students prepare and present results leading to research proposals, research progress, and research reports. | ||
| FT7107 | A Study on Modern Film Theory | |
| It goes beyond the horizon of general research in relation to modern film and video art, discovers creative and challenging research topics, and attempts specific research on them. In addition, the modern performance theory suitable for this is searched and applied to research, and the actual research is practiced. | ||
| FT7109 | Seminar on the History of Theater and Film | |
| The main trends, ideologies, genres, representative writers and works of film history are reviewed, and their historical context and current influence are explored. | ||
| FT7110 | Independent ProjectⅡ | |
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Following the independent project 1, it is conducted under the customized guidance of an advisor according to the individual student’s detailed major and independent research topic, and research related to thesis, creation, and production is conducted. Students should present the finished results produced through this process, along with research proposals, research progress reports, and research results reports. |
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| FT7111 | Praktikum1 | |
| Following the independent project 1, it is conducted under the customized guidance of an advisor according to the individual student’s detailed major and independent research topic, and research related to thesis, creation, and production is conducted. Students should present the finished results produced through this process, along with research proposals, research progress reports, and research results reports. | ||
| FT7112 | Praktikum2 | |
| A practicum is designed to give students supervised practical application of a previously or concurrently studied theory. In some cases, the practicum may be an internship or the project to make a work or paper. | ||
| FT7201 | A Study on Modern Performance Theory | |
| Going beyond the horizon of general research in relation to modern theater and musical, creative and challenging research topics are discovered, and specific research on them is attempted. In addition, the modern performance theory suitable for this is searched and applied to research, and the actual research is practiced. | ||
| FT7203 | Seminar on Performance Style | |
| It is a class that examines the trends and stylistic characteristics of each period according to the historical changes of performing arts. In particular, it intensively explores various stylistic practices in modern performances. | ||
| FT7204 | Criticism of performance video works | |
| By selecting representative works in the field of performance images such as modern films, documentaries, plays, and musicals, we evaluate not only the structure and composition, aesthetic characteristics, themes and worldview, but also detailed areas such as lines, music, acting, and directing elements to create and complete a work theory. | ||
| FT7206 | A study of contemporary creators | |
| . For representative writers, composers, directors, and stage artists of modern plays and musicals, the creation process, techniques, characteristics of the work, and aesthetic personality are considered to create an author theory. | ||
| FT7207 | A Study on Contemporary Performance | |
| In the 21st century, we look at the latest concepts, trends, aesthetic trends related to performing arts, issues and discourses in the performing arts, trends in the industry, changes in performing arts methodology, and the latest emerging theory. | ||
| FT7209 | Acting criticism of performance & video | |
| The main contents of the 20th century acting theory starting from Stanislavski are reviewed, and this is applied to current Korean performances and videos to analyze and evaluate the practice of acting in contemporary works. | ||
| FT7213 | Theory of Criticism of Theater and Film | |
| As a basic methodology for theater and film research, we learn from classical theories to various theories such as authorism, modernism, postmodernism, feminism, postcolonialism, cultural reciprocity, post-drama, cognition, and semiotics. | ||
| FT7214 | Practice performance video criticism | |
| Criticism is written for contemporary performances and videos. Through this, we understand the current flow, topics, and debates in the performance and video world, and seek ways to form productive discourse through active valuation. |